The graphics displayed on product
packaging face tough competition and have to work extremely hard in the
notoriously loud visual atmosphere in a supermarket and shopping centre. The
packaging has to communicate usefulness and sentiment.
In the first step while developing a
new package design, the graphic designer determines the client's requirements,
the message that the design should communicate and its appeal quotient for
consumers. The factors that contribute towards the planning and execution of
designing include the physical, cognitive, cultural and social elements. This
information is gathered by meeting the clients, the creative directors and
through research. Effective identification of the consumers' needs are very
significant factors for the development of corporate communication strategies.
Print design can usually stand
alone; however, packaging design is placed right next to its competitors on the
store shelves. The graphic designers who work in this segment need to remember
that, while they create beautiful designs on their big white backgrounds, the
packaging will be placed in a completely different environment. The designers
must keep in touch with reality and make sure to check that their designing
will work effectively in the factual world.
The packaging design on a product
must work efficiently at different levels. At a distance, it needs to have
strong impact which can be achieved by using the right colour, illustration,
type and icons in the right form on the right materials.
On closer inspection, it has to use
the same fundamentals to communicate greater detail about what the product has
in terms of a story. These stories can be functional selling strategies such as
'wheat-free' or 'low-fat', or they can be emotional narratives relating to
origin, like 'pure and fresh milk from cows raised on a small family owned
farm'.
The graphic designers who work on
packaging are likely to work closely with brand planners and structural
designers. Even when packaging graphic designers are working on a completely
graphical project, they have structure specialists on the team to help the
project develop a broader view. These structure designers have the ability to
provide insight about how the substrate, material or fold can be adapted to
make the graphic design more effective.
The planning teams are also in
communication with the designing team to ensure that the brief and the story
are appropriate. At the beginning of the project, the planning brief in changed
into the creative brief, however, the process is not like a relay race that
goes through the various departments. All the departments and disciplines work
together throughout the project.
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